New Blog Feature: The Reading List

Readers who are paying attention will recall that this blog has been running a series of articles on the "Most Unreadable Books", where I'm slowly...oh, so slowly...working my way through a list of books considered to be the most difficult to read (at least in English). 

Since it takes so long to get through each one of those (I'm working on Infinite Jest at the time of writing, and expect to be for quite a while yet), it seemed like a good idea to break up the monotony a bit by bringing in notable works from other lists.

With that in mind, there will be an ongoing series called "The Reading List" that will cover other notable books that might be of interest to AIM Comics readers, particularly focusing on those from the ranks of winners of the Stoker Awards (horror), the Hugos (science fiction), the Edgars (mystery) and the World Fantasy Awards (fantasy, obiously), with occasional diversions into anything else I find interesting.  I think there will be enough variety in there to keep me and other readers interested. 

I will be sharing my thoughts on those books as I read them, but I welcome discussion on them or simply being told that I have missed the point of a book entirely.  Leave a comment on the posts and let me know if you agree or disagree with what I have to say; I'd enjoy hearing from you.  Literature is always best when it's shared.

Reading List: "The Complete Fiction of H.P. Lovecraft" - Knickerbocker Classics Edition

I have read Lovecraft's fictional output in its entirety several times, in several formats.  Whether it's for reference, or just for pure enjoyment, nothing competes with pulling out one of my favorite tales from old Uncle Theobald (among my favorites being Cool Air, Pickman's Model, and The Music of Erich Zann).  

So it was inevitable that I would have to get a really good compendium of the complete works to give pride of place on my bookshelf.  I was given an Amazon gift card a few years ago and knew that the stars were right to choose THE Lovecraft collection for my library.  

There are many to choose from, some being garish, some being very expensive and some being woefully incomplete.  There are electronic editions aplenty (including one very nice one I found that also contained the complete collaborative works, juvenilia, poetical works and links to audiobooks of most of his fiction, all for under a buck!), and you can even read most of it for free online at hplovecraft.com.  Still, it's hard to compare those with the tactile thrill of having a physical copy of the work that you can hold and admire.

After going through quite a few of the offerings on Amazon, the best one for my money ended up being the Knickerbocker Classic Edition of The Complete Fiction of H.P. Lovecraft.  For a very reasonable price you get a slipcovered hardcover edition that is beautifully printed on high quality paper with tasteful cover art that celebrates the pulp roots of the work while still being somewhat dignified.  In fact, one of the things that drew me to this edition was that the slipcase art reminded me of Virgil Finlay's Weird Tales illustrations.  

The stories are complete and appear to be printed in order of publication (I haven't fully verified this).  Of course this means that the edition contains over 1100 pages.  That, plus the hardcover and slipcase, means that this is a weighty tome that you could probably wield to fend off a shoggoth.  It looks and feels nice and handles well.  I've had my copy on my bookshelf for a couple of years and refer to it often, and it has yet to show any signs of wear.  

For the ardent Lovecraft fan, this is a volume worth adding to that eldritch library; probably the next best thing to sporting a copy of the Necronomicon itself.

Reading List: "Fairy Tale" by Stephen King

 I am a long-time fan of Stephen King's work.  I am one of those people who joke that I would enjoy a grocery list if it was written by King, and I think I've read just about everything King's ever published (the one exception being "Faithless", because even Stephen King can't make me care about baseball).

Given my history with King's work, I think you'll understand that it's especially disappointing when I have to say that there's something he's written that I just don't care for.  It's happened before...I am know for my dislike of the novel "Pet Sematary", and I found myself utterly indifferent to some of his more recent books such as "The Institute." I am aware that no writer can hit them all out of the park, but King has written so many great books that I find it hard to believe he could ever write something that doesn't hit home with me.

Unfortunately, that was the case with "Fairy Tale", a rare occasion where I actually had to force myself to finish the book, under some kind of sunk cost fallacy.  Even the chapter illustrations by Gabriel Rodriguez and Nico DeLort weren't enough to get me invested in this story.

I mean...it's not a BAD book, objectively speaking.  Even the worst Stephen King story is better than most modern fantasy and/or horror literature.  It's just that it's not up to the standard King has set for himself with his own body of work.  

King is, of course, best known as a horror writer, and while this story contains horrific elements, it is chiefly a fantasy novel, as the title would suggest.  Similar to previous King works it contains a youthful protagonist whose adventures take place across multiple realities.  Unlike previous King works, the story is largely flat and lifeless without many of the signature narrative tricks and techniques that make his work so appealing.  There's nearly none of the dramatic foreshadowing that make his stories so suspenseful, and none of the Dickensian character exploration that bring his figures to memorable life.  Like far too many fantasy novels, it's just a straightforward dungeon-crawl of a novel where "this happened, then that happened, then the other thing happened" and so on until the end.

There were some good moments to be found in the book, of course.  It IS Stephen King, after all.  I enjoyed the nods to Lovecraft (how could I not?) and I like the fact that, like most of his work, this story could be tied in to his Dark Tower mythology.  There were a couple of moments in the book that were genuinely touching.  Overall, though, it was a lackluster effort that explored narrative territory that I thought was better handled in books like "Eyes of the Dragon", "Talisman" and the Dark Tower stories.

I supposed it's possible that this was a deliberate experiment on King's part to see if he could tell a story without falling back on his typical writerly tricks.  If that's the case then, at least for this reader, it didn't work.  

There are some readers, perhaps those who steep themselves in high fantasy more than I do, that will enjoy this book, and fans of that genre will probably find lots in here to appreciate.  For my money, it is just a plain story that lacks any resonance beyond the initial reading, nor even functions as the agent of moral instruction that characterized the traditional fairy tale.  Oh well...they can't all be winners.

Reading List: "The Vessel" by Adam Nevill

It's Hallowe'en, which must mean it's time for a new Adam Nevill novel!  

In the past few years, one of the best things about this time of year has been the release of a new book by Adam Nevill.  From the cosmic horror of "Wyrd and Other Derelictions" to the rural terrors of "Cunning Folk", October always seems to bring round another Nevill-authored treat just in time for some great Hallowe'en reading.

Nevill writes in the weird fiction tradition of such greats as Lovecraft, Blackwood, Barron and Ligotti, and he certainly deserves a place among that pantheon.  His works are as imaginative and distinctive as they are dark and disturbing.  He puts in the work to avoid the tropes that mark even his own corner of the genre, instead devising horrors that are new and that arrive in unexpected ways.  

 With "The Vessel", Nevill seems to be promising us a good haunted house story, territory he's explored previously with books such as "Apartment 16".  However, as with that book, which went into insane territory by the end, I'm sure that what will be delivered here will a story that reaches well beyond the predictable form of that classic genre and will resonate in newly disquieting ways.

From the book's description:

"Struggling with money, raising a child alone and fleeing a volatile ex, Jess McMachen accepts a job caring for an elderly patient. Flo Gardner – a disturbed shut-in and invalid. But if Jess can hold this job down, she and her daughter, Izzy, can begin a new life.

Flo's vast home, Nerthus House, may resemble a stately vicarage in an idyllic village, but the labyrinthine interior is a dark, cluttered warren filled with pagan artefacts.

And Nerthus House lives in the shadow of a malevolent secret. A sinister enigma determined to reveal itself to Jess and to drive her to the end of her tether. Not only is she stricken by the malign manipulation of the Vicarage's bleak past, but mercurial Flo is soon casting a baleful influence over young Izzy. What appeared to be a routine job soon becomes a battle for Jess's sanity and the control of her child.

It's as if an ancient ritual was triggered when Jess crossed the threshold of the vicarage. A rite leading her and Izzy to a terrifying critical mass, where all will be lost or saved.:"

Give yourself the treat of some great reading this spooky season, and be sure to check out Nevill's other offerings while you're at it.  I strongly recommend "Wyrd and Other Derelictions", a personal favorite, which does things with the cosmic horror genre that no one else, as far as I know, has ever tried.

Now Available: Lovecraftian Horror Coloring Book!

 Available now In print at Amazon and digitally at DriveThru Comics, it's the Lovecraftian Horror Coloring Book!

Over the past few years, I've created a fair number of Lovecraft-themed illustrations, whether it was for the Lovecraft eZine, for the Lovecraft's Monsters playing card deck,  or for other projects.  In this book, I've finally collected them all together in their original black and white glory.  The pages are designed single-sided so they can be colored and even removed for display.  

I've even set up a special email address (find it in the book's introduction) where you can send me photos or scans of your color work and share the fun!

I'm a hardcore Lovecraft and cosmic horror fan, so this has been a real labor of love for me; I hope you get as much enjoyment out of it as I put into making it.

From the back cover:

"A monstrous compendium of art based on the creatures of Lovecraft's Mythos.  The stars are right and the Old Ones wait...wait, that is, for you to add the colors that will bring these cosmic horrors to terrifying life!

Lovingly created by a fan of Lovecraft's work for like-minded fans who want to explore their own artistic visions, this book contains illustrations based on descriptions in the original texts.  From Cthulhu to Herbert West, the best of the Mythos is represented here in distinct artistic interpretations.

Each page is single-sided for coloring, but backed with relevant quotes about the creatures being illustrated.  Every page is scanned from the artist's original drawings.  Grab your colors and enjoy bringing new life to these classic horrors!"

                                        

 

Now Available: The Brutal Blade of Bruno the Bandit Vol. 8!

 Long overdue, but worth the wait, The Brutal Blade of Bruno the Bandit Vol. 8 is now available!  Gaze in wonder at the cover by Clint "Wandering Ones" Hollingsworth! See Bruno tie the knot!  Cringe shamefully under the reproachful glare of the Passive Aggressive Pirates! Tremble as the ground shakes to the marching feet of the Syndicate going to war!

All this and more awaits you in the latest collection of Ian McDonald's classic webcomic Bruno the Bandit! Available NOW in print from Amazon and in digital format from DriveThru Comics!  Get yours today!

Reading the Unreadable #8: Our Lady of the Flowers by Jean Genet

 

By a fortunate accident, I read Genet's "Our Lady of the Flowers" directly after finishing Camus's "The Stranger" and Solzhenitsyn's "Gulag Archipelago", and those directly after reading Heidegger for this reading project.  As a result, I came to it in a metaphysical state of mind, and ready to analyze the different views of incarceration presented by these authors.

Camus, being the most overtly philosophical of the bunch, uses his protagonist's prisoner status more allegorically, presenting it (at least to my eye) as further proof of the objective lack of intrinsic meaning to existence, and simultaneously the natural result of Meursault's failure to draw his own meaning from existence, falling back as he does on a kind of nihilism.  Camus, not having been a prisoner himself, was able to take a more abstract view of incarceration, using it as a vehicle to convey his ideas of absurdism without getting bogged down in the practical details.

Solzhenitsyn's work, on the other hand, draws its power from his depiction of those practical physical details.  It was his status as prisoner that drove his fame as a writer, and it was through his depictions of prison life that he made his political statement.  "Gulag Archipelago" is more prosaic in its approach and more accessible in its writing style, and it is in that approach that the reader finds the horror of the situation - that people can live and force others to live under such conditions.  Oddly, while being the least overtly philosophical of these books, in its depiction of the subjective way punishments and rewards are applied in such a system, it eventually serves to prove the same metaphysical conclusion reached by Camus - that existence does not have intrinsic meaning aside from what the individual decided to assign to it.

The expression of that subjective mapping of meaning onto existence is immediately obvious in Genet's "Our Lady of the Flowers".  By far the most poetic of these works, Genet seems to acknowledge the, at times, sordid details of existence and yet to strive for a sort of transcendence by seeing in those details a manifestation of something more sublime.  Through his controversial depictions of the life of his characters, their relationships, their actions and their crimes, Genet takes what could be considered tawdry and at times brutal events and elevates them with his language and perspective to the status of poetry.  As he says, "the artist is a God who had need of human beings."  Genet seems to recognize that god within himself the art in his characters.  The more squeamish reader might turn aside from "Our Lady of the Flowers", but in so doing would miss the opportunity that Genet provides to recognize the transcendence possible in any life simply by the fact of choosing to assign meaning to existence.

It is that idea of "choice" that forms a common philosophical thread to all three books.  Camus's Meursault fails to choose, and is condemned for it.  Solzhenitsyn, chose to see both the absurdity and horror in his situation and depict it with the eye of a naturalist.  Genet chose to assign a spiritual greatness that supersedes the immediate, through that making even an ordinary existence more bearable.  As Victor Frankl stated, "He who has a why, can bear any how."

Up next, David Foster Wallace's "Infinite Jest'.  This one's going to take a while.